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title by ben didier

NUMBER 26
The official newsletter of The Darkest of the Hillside Thickets
JAN/FEB 1998

RECLUSIVE ARTIST REACHES OUT

Mythos Artist Dave Carson Finally Admits He Needs Help

I had the opportunity to interview East Sussex-native Dave Carson at the Severn Valley Psychiatric Hospital for the Mentally Ill.

What made you want to become an illustrator of otherworldly horrors?
Mainly the fact that I never used to see any drawings of these things in any of the old magazines or books. Maybe just a tentacle or whatever, but not much more. Some people think that you shouldn't show them at all of course, but I've always been of the opinion that at some point you've just got to. This applies to film as well. If Jacques Tourneur had never let us see the demon in Curse of the Demon it would have still have been a good movie, but a fairly dull one no doubt.

When did you first notice these, shall we say, "tendencies?"
As far back as I can remember I've been doodling and scribbling 'orrible monsters.

What's the worst nightmare you've ever had?
Or the best? I used to purposely eat a load of cheese and pickles before going to sleep just to try to induce nightmares, and sometimes it worked. But I must make it clear that I am in no way advocating the use of snack food, it can lead to using stronger substances like crab, or even lobster. The most Lovecraftian dream I've ever had was an incredibly vivid one that I still remember clearly after fifteen years or so. I'm standing on the flat surface at the top of one of many massive stone structures or columns which are rising from the heaving sea far below. The stone is covered in thick slimy seaweed, making it almost impossible to retain a firm footing. There is an amazing feeling of vertigo looking way down at the sea. Just as I start wondering how the hell I'm going to get off this thing I have a strong sense of dread and looking down I see huge tentacles wrapping themselves up and around the pillars. At this point I woke up, fairly terrified. It was just like being there, wherever There was. It sounds fairly mundane as far as nightmares go, but it really scared me. I've been wanting to do a painting of it for a long time, some day I'll get around to it I hope.

What was your first paying art job?
That's a wee while ago, but I think it was an advertisement for a bookseller named G. Ken Chapman. He was one of the very few to import Arkham House stuff to England back in the 70's. I just did a little border design, sent it to him, and he liked it and paid me what I asked for it. I was amazed. I believe that ad was first printed in a Fantasy Con programme booklet, or maybe Fantasy Tales. I don't recall. It would have been around 79/80. The art was only a hobby back then, and if I could get work that paid, so much the better. I had a full-time job working in a novelty goods warehouse. I quit that in 1985 and have been relying on professional art jobs, unemployment benefit, a job in the Civil Service ( for about 4 months), producing t-shirts, whatever.

Novelty goods? So the old fake doggy doo gag wouldn't go over too well with you....
Not at all.

What kind of civil service job did you have?
That was a strange one, my job title was PaperKeeper. Though I didn't get to keep much paper. It was looking after a huge amount of files of Friendly Societies. Very boring. The one thing I would have enjoyed, I missed out on. That was going up to the Public Records Office. The head guy on our section told me we were going the following week, and that I could look at the Jack the Ripper postcards and letters, he had seen them on a previous visit. Well, I got fired before we made the trip I'm afraid. Luck of the Irish.

So lessee, I've seen your art on Mythos cards, the old Dagon zines, some Chaosium books...where else?
Well, I used to do a lot of stuff for Fantasy Tales, that was a semi-pro thing that finally went pro and folded after a few issues. In fact, that has happened to me a lot. I get commissioned by some mag or whatever that's been going for years, do a couple of pieces for it, and then it folds! It's THE CURSE.... Over the years I've had stuff in Fear, Imagine, Beyond, Kadath, Dagon, Fantasy Tales. All folded. I'm the kiss of death I tell you!

Well I look forward to doing a lot of business with you for various 'Thickets projects. What are you currently working on?
Prozac. Sculptures, mainly. I haven't done any B/W work for a while as I've been monkeying around with computer graphics when I get the time. I've been doing these sculpted things for years. They asked me to design the British Fantasy Award. That was amusing. I carved this wax candle into a sort of cloaked/tentacled thing and handed it over in the only box I could find—an electric carving knife box. When the guys left the thing to have the mold made, the company who were doing the mold were broken into overnight and one of the things stolen was the original sculpture. I'd have loved to have seen the look on those guys' faces when they opened that box! I had to do another one in a big hurry. I was so broke at one point that my electricity was cut off and I had to burn the sculpted wax original of the award (it still had a wick running up inside) for light. Dark days indeed. Some people seem to think it resembles a dildo, but there isn't really much you can do with the basic candle shape that wouldn't look dildoish. I hope. I am going to be taking commissions for sculptures. But no dildos.

How do you sell most of your art? Who is your greatest patron?
Collectors pick it up mainly. Brian Lumley usually has first option on anything of his I've illustrated. Then there's conventions. I had around 20 pieces of sculpture on display in the art show at the World Fantasy Convention in '97 and I sold about half of them there that weekend. That was the first time I had put these things up for sale in a big way, and they went down really well. My stuff seems to sell more in the USA than England for some reason. Perhaps there's a larger Lovecraft following in America, I don't know.

What are your preferred methods/mediums?
It used to be the old pen & ink stipple technique, but I'm not so sure now. You can do some amazing things with a graphics programme that would just take forever any other way. I do still love B/W drawing though, I don't think I'll ever give it up.

What was your worst art job?
The worst art I've ever produced was when I was working with Games Workshop on White Dwarf magazine. I did a few Mythos things, but they kept giving me jobs that just didn't fit my style of illustration. Pirates, for example. They wanted me to do Ninjas at one point too. That stuff really makes me cringe if I ever come across it as I burrow through old mags. My heart was never really in most of the jobs they gave me, so I was turning in this absolute crap and nobody in the art department ever sent it back, complained or said anything like, "Hey, Dave, these drawings you've sent in look like they've been done by a retarded chimpanzee."

What was your best art job?
Working on "Haunters" with Carl Ford.

Do you do anything besides sculpture, painting and drawing? How about Cthulhu-themed modern dance? What are your other interests/hobbies?
I used to do an awful lot of drinking and falling down, but I'm a reformed character now. Too busy carving shoggoths & collecting driftwood and bones on the beach. I do love to see a good monster movie, or even a bad one, I don't care. I'm the guy who thinks Humanoids from the Deep is better than Citizen Kane. I grew up on horror movies, and I suppose I'll never grow out of them. I'll check out anything with a nasty monster in it...preferably with tentacles.

Which beach?
You expect me to reveal the location of a prime driftwood & sea bone beach? Madness! It is on the south coast, that's all I'm saying.

What's the most heinous act you've ever committed (that you'd be willing to admit to)?
Creeping up behind a dog and shooting him in the balls with a pellet gun when I was a kid. The dog had a huge pair of balls and was really asking for trouble in our neighbourhood. It didn't do him any permanent damage by the way - just must have stung like hell, he took off like a shot.

If Nyarlathotep came up to you and said "I'll grant you the opportunity to change three specific moments in your life history - no strings attached" what would they be?
I never talk to myself.

Dave Carson's recent psychiatric review went poorly, and he will be serving at least one more term at the hospital. However, he'll be selling original artwork, eldritch sculptures, prints and stuff through Dunwich Crafts & Art. Take a glimpse into his disturbed mind by visiting his online catalog at http://www.tigert.demon.co.uk or write to DUNWICH CRAFTS & ART. PO Box 2650, Eastbourne, BN21 1US, England.

UPDATE: You may purchase items featuring Dave Carson's works of art at http://www.cafepress.com/shop/science-fiction/browse/store/carsonthings

terminal shoggocity

In the field of Planar Zoology, it sometimes transpires that the experts are faced with a problem that has real life applications, i.e. what would be the effect on a shoggoth if it fell from a height of about 10,000 feet? Would the shoggoth be killed? Would it break, splatter, or just create a large hole? We asked our panel of experts to comment on this sadly neglected area of scientific research.

If the shoggoth is a particularly clever or wise specimen, Lynn Willis of Chaosium suggests that it might "spread itself out to become its own parachute, avoiding a serious fall entirely. So what must first be determined is whether the shoggoth is smart before it dropped out of the plane, or is it just a big, dumb malevolent thing? If the shoggoth cannot overcome its likely fear and consequently smashes as a little frightened ball into the ground at terminal velocity, well, it's dead. The drama fits the crime. Not even a shoggoth is immortal."

Jordan Bassior, internet thinktank, suggests that shoggoths are intelligent enough to deal with such a plummet. "In atmosphere a falling object quickly reaches "terminal velocity" (well over 100 mph for objects of human shape and density), the speed at which aerodynamic lift equals gravitational acceleration. A falling shoggoth would presumably flatten itself out to reduce its terminal velocity (possibly to the point of flying as in the case of the shoggoth-like Vampyr-steeds in author Brian Lumley's universe)."

Professor Bernard Bustoffson, founder of S.P.O.N.G.E., and instructor at Miskatonic University, has a different opinion: "Shoggoths, being of a singularly uncomplicated state of mind, would no doubt have little regard for the fall itself. No amount of shifting, resizing, or aerodynamics will even occur to its gelatinous brain-caste. On the contrary, it will not even really notice the change in its surroundings, and upon impact, will scarcely bat an eye (or several)."

But is this an accurate assessment of a shoggoth's state of awareness? If we are to believe what we are told in H. P. Lovecraft's "At the Mountains of Madness" (and we'd be fools not to), the shoggoths were created by the super-intelligent Old Ones (also known as Elder Things). The Things genetically engineered the shoggoths as beasts of burden, just as they created, for the sole purpose of entertainment, the beginnings of what we have come to consider "native" life on Earth. We must consider, then, that it is very likely that shoggoths and terrestrial life are cast, if you will, from the same genetic mold. It is reasonable to assume that all semi-intelligent life knows fear"it is a basic survival mechanism without which a species suffers to the point of extinction"and must be cognizant of its environs to survive. As to the full extent of a shoggoth's sentience, and its correspondence to what we humans consider "emotion," we are left to wrestle with unknowns (q.v. Zach Desrocher, charter member of People for the Ethical Treatment of Shoggoths). Still, we must assume that, since the shoggoths long ago set a historical precedent by breaking their bonds and revolting against their Old One oppressors, the average shoggoth fosters at least a basic acumen.

That presupposed, a plummeting shoggoth might find itself with a number of options. It may, as noted, stretch its mass into a thin, broad surface, essentially forming a parachute or glider shape to slow its descent. Alternately, the shoggoth may "bud." Mik Clarke, of MIT, brings to light the capacity of smaller creatures, like ants, to survive falls of great distance simply due to their diminutive size and therefore increased resistance to falling injuries. "If a shoggoth learns to survive a fall by breaking itself up into thousands of little, tiny shoggoths (micro-shoggoths - only a few micro-grams each).... you get a cloud of shoggoth descending - maybe 50m diameter by 200m high. Within it the air is saturated with micro-shoggoths."

Bustoffson takes this one step further. "Upon striking the earth at whatever speed its formless mass would reach, the shoggoth would then burst into a plethora of smaller shoggothian pieces. Each piece, however, is still part of the whole, and would continue on its course (whatever that may be- probably something along the lines of "keep moving, keep eating" and so on). As individual pieces come into contact with other pieces, they will reattach in quite a casual manner (a sort of "oh, how nice to see you again, let us continue on to the smorgasbord together").

We can go no farther before we must address the exact limitations of a shoggoth's plasticity. While it is readily known that shoggoths have the ability to form locomotive and tactile pseudopods and even varying sensory apparati from their main mass at a moment's notice, is it reasonable to assume they can perform such feats as separating their body into countless bits, and then presumably reforming, like the Schmoo? If they can do that, then perhaps shoggoths can simply pull themselves together after hitting the pavement at high velocity even if attempts to reduce the impact fail.

"I've never heard of a shoggoth reforming." retorts Willis. "Smashed is smashed, as a shoggoth might say. (They are, ummm, decisive creatures.) As to the implicit question of a high impact generating lots of little shoggoths, nope, won't happen. The Elder Things would have been smarter than that!" Indeed, while it has been established that shoggoths reproduce by budding (Petersen's Field Guide to Cthulhu Monsters), no evidence exists to the effect that shoggoths can multiply at will into numerous proto-shoggoths. John Goodrich (Independent) agrees: "there are probably less than a dozen shoggoths living in modern times. Even old Al-Azrad had never seen one. Aside from the six or so living off the New England Coast, there just aren't that many around. If shoggoths were able to splatter and reform (like the T-1000), then there would be no shortage of shoggoths - ever. Just break off a piece and let it grow - tadaaa! You quickly have two shoggoths for the price of one, plus feeding."

That theory satisfactorily discounted, we are forced to consider the parachute hypothesis. "A straight drop would cause enough hydrostatic damage to seriously impair [a shoggoth], fluid or not," remarks Derek A. Petrey, metaphysics consultant. "Cell walls are only so strong. If the shoggoth avoids being coated by the ice layer in the clouds and turned into the mother of all hailstones, they might have the presence of mind to flatten out or form a parachute. Note that several mentions of a rapidly dissolving jelly fragments have been recorded in Charles Fort's books. Maybe they [broke apart], lost consciousness and died, thus dissolving away."

There are still more considerations. If, intelligence or no, a shoggoth becomes panic-stricken or confused during its fall, it will not flange itself into a parachute form. It may also fail to maintain this form if there is significant muscle/cellular fatigue, or simple lack of dexterity among the specimen. If, on the other hand, all of these conditions are adequately met"intelligence, presence of mind, dexterity and the physical ability to perform the feat"we may reason that it is not beyond the realm of possibility that a shoggoth could spread itself thin enough to glide to safety like some horrific, featureless flying squirrel, and save itself from injury or death from a 10,000 foot fall. More likely, however, the shoggoth would fall victim to the same inherent doom that any wingless creature - mammal, amoeba, or other - inevitably does.

Jason "Knygathin Zhaum" Thompson points out: "aerodynamics would cause it to smooth out into a perfect, raindrop-like sphere as it falls. (It might appear tear-shaped to human eyes, of course, but that'd just be due to the velocity.) I wouldn't expect even this thunderous, cannonball-type collision to have any permanent effect on the shoggoth. These creatures can survive the incredible pressures of the ocean floor, so it seems to me that they'd probably take no serious damage from even terminal velocity, assuming they didn't land on something sharp like a church spire (a very strong one) and inadvertently rip themselves open. 'Stunned' sounds like a good possibility; 'flattened out into a patty-like shape in the middle of an impact crater' sounds like another one. On the other hand, I'm thinking of a pretty rubbery shoggoth here, whereas they might exist in more tissuey, liquescent forms - maybe it has something to do with nutrition."

A more concrete supposal is here presented courtesy of Michael Tice, M.S.: "Stokes' Law gives the drag force impinging on a sphere moving through a fluid at low velocities when laminar flow predominates. Although other researchers (Willis, 1998; Clarke, 1998) have suggested alternative shoggoth descent geometries, I think it is clear that sphericality is the most likely. No doubt we are all familiar with the traditional autonomic reflex of the shoggoth to unfamiliar, distressing and painful stimuli such as sodium hydroxide or the Spice Girls: the shoggoth contracts itself into a ball in order to minimize its exposed surface area. (No doubt the effect of the air during descent would tend to ablate the falling shoggoth into a teardrop shape reminiscent of tektites, but for a first order approximation, the sphere will have to do.)

"Consequently, Stokes' Law gives the drag force as 6 p h rv, where h is the viscosity of the fluid, r is the radius of the sphere and v is the velocity of the sphere. We immediately come up against the problem of determining the radius of a shoggoth. I estimate 5 meters. This is somewhat larger than the only other published value I have come across (Chaosium, 1992). However, this figure probably results from an erroneous reading of the ambiguous primary research: "rubbery fifteen-foot spheroids infinitely plastic and ductile" (Miskatonic University 1930-31 Antarctic Expedition Research Note #3) - taking the fifteen feet to refer to the diameter instead of the more likely radius. The M.U. note goes on to describe the shoggoth as comparable to a subway car, which tends to support my figure.

"A similar question concerning the average density of the shoggoth arises. My own rough estimates put the shoggoth very near to or a little higher than the density as water (1 kg/litre). Consequently, my shoggoth weighs in at a little over five million Newtons. Plugging in the viscosity of air (.019 millipoiseuilles), the equilibrium condition gives a terminal velocity of 2.85 billion meters per second."

"At first glance this seems absurd. And again at second and all subsequent glances. A quick calculation of the Reynolds number in this case (N = 2 trillion) shows that we are well in the region for turbulent flow, and Stokes' Law is as useful for our calculation as a fondue fork is for sexual gratification. The Reynolds number is so large that the drag force cannot even be approximated by the usual velocity-squared law, which would otherwise yield an answer of about 10 thousand meters per second."

"Therefore, we are left with the final tool of the physicist: hand waving arguments. For laminar flow, the terminal velocity increases as the square of the radius of the object. For v-squared drag forces, it increases as the square root of the radius. As higher order terms in the expansion become important, the terminal velocity increases more slowly. Since the shoggoth radius is about ten times a human radius, shoggoth terminal velocity must be roughly two to three times that of a human, on the order of 300 to 500 meters per second."

"That settled - at least tentatively - we must consider the impact. A shoggoth moving with that terminal velocity has a kinetic energy of 40 billion Joules. This is equivalent to the energy released in the explosion of ten tons of TNT. During the rapid deceleration of the shoggoth that takes place upon impact, this energy will all be released. Part of it goes into deforming the ground, part goes into deforming the shoggoth, and part contributes to the kinetic energy of the hunks of shoggoth that are flung about in all directions as it hits the ground like an enormous sack of wet cement. Although I would not entirely rule out shoggoth survival, I confidently predict that it would occur with less frequency than human survival under similar circumstances."

While it is obvious that many powerful scientific minds are grappling with the question of the falling shoggoth, it is clear that further research is necessary - no mean task considering the short supply and high value of the protoplasmic beasts. Were a donated shoggoth's mental state and cellular resilience subject to scientific quantification, perhaps a reliable computer model could be set up for the purpose of resolving this debate.

No shoggoths were harmed in the writing of this article.


THE MILLION FAVOURED ONES

Hi!

I downloaded your screensaver and installed it on my computer. Yesterday I found my boss looking at my screen, boy, was he pissed off. He told me that he cannot believe that I'm really into that kind of stuff. He asked me what it's all about and after I explained him about Old Ones and Necronomicon he said that he's shocked. He didn't speak to me since then. He can't fire me, I'm a consultant so it's a lot of fun. Thanks, folks!

Anthony Genovese, Kansas City, Kansas

I have just purchased the CD Cthulhu Strikes Back! And I have now listened to it at least 20 times! GREAT SONGS! GREAT PLAYING! I am an avid fan of H.P Lovecraft, so this only helped me get into this crawling chaos of sonic horror! I hope the Hillside Thickets are still together? And I hope they have released some more music? I would really like some more info on this band! I hope that you can send me something, anything! A newsletter or whatever! A new fan!

Robert A. Marine, Elcho, Wisconsin

No, I'm terribly sorry, we can't help you.


Dearest [The] Darkest of the Hillside Thickets,

I write to you today in response to the incessant screaming in my head. I don’t know exactly when I first felt their corruptive influence on my life. It seems they have always hovered on the edge of reality, like a dark shadow that chills me completely through. I did some investigating (I bought the Avon Press version of the Necronomicon, some HP Lovecraft collections and Chaosium’s Call of Cthulhu 5th edition), but no solid leads. I then noticed some scaly patches of skin and an odour, which can only be described as indescribable, emanating from my body. I thought perhaps I was a relative of the degenerates of Innsmouth, but after checking with the family doctor, realized it was just a genital fungus. The voices since revealed themselves as minions of Those Outside Who Want In. They promise to stop their malignant wailing if I bow to their demands. They want a copy of Great Old Ones and my immortal soul. I have decided to comply with the first demand, as my attempts at exorcism have all failed with horrible results. Having read in various Lovecraft-like stories, I decided a tattoo of the Elder Sign might cleanse my body of the voices’ insidious taint. Little did I know that that story wasn’t truly written by Lovecraft. The tattoo only made the voices laugh at my pathetic attempt to purge them, and the tattooist was found a pile of ripped flesh and stripped bone. Luckily the police didn’t trace the murder to me. I will order your CD, perhaps it will buy me some time. Most likely it won’t. I imagine they will take me completely, or worse yet, I will surrender to them. I am doomed.

Gurgle, gurgle, gurgle,
Casey Kirkpatrick, Valparaiso, Indiana

Casey, soon your copy of Great Old Ones will arrive in your mailbox. I am proud of you. It will not, of course, assuage the wrath of Those Outside, but rather, it will pave the way to your next level of transmogrification. Do not fight it. Even if you could resist, you would be cheating yourself out of a gift that alchemists, mathematicians, and even saints have been breaking their backs since the dawn of civilization to obtain. To ease the transition, all I can suggest is to open your mind completely. Relax and let the Outsiders do their work. At first their words and actions will seem strange, perhaps even frightening to you, but the bonding of flesh to That Of Beyond is never easy, nor painless. But always remember that you have our full support, and we look forward to seeing you on Sentinel Hill this coming Candlemas.


Thickets,

Just received CSB, and it's pretty cool. However, I was struck with curiosity: what did George Lucas' lawyers think of the logo and the sampling in 'Shoggoths Away'? Personally, I would rather like to see the Thickets' music videos, but I live in the US and thus do not have MuchMusic (or MTV, as we view the TV as an output for the VCR), and was thus wondering whether there existed any plans to sell a tape featuring the Thickets' videos.

Zed, internet.

Well Zed, George Lucas Himself (capitalized due to his deity like status amongst space geeks and pop culture ethusiasts everywhere) didn’t actually contact us. He took the coward’s route and involved several third parties in giving us the hint that we might be in trouble. First, George had his crack team of 20 high priced lawyers (now referred to as "the man" from here on in) seal a deal with a national multiconglomerate for the "rights" to the "images" etc. of the Star Wars trilogy. It’s all confusing legalese that is really some kind of secret handshake amongst the world’s wealthy. Kinda like a Masonic handshake only tougher to repeat. It seems this multiconglomerate (which we will call "the corporation") has its staff of illegal Mexicans working for .05 cents an hour (herein referred to as "the brothers") to find anyone infringing on these "rights" that the "corporation" bought from "the man." Enter SHADIS game magazine. They kindly gave us a free ad (in colour no less) to hock our wares. There also happens to be a Star Wars game (no surprise there) that was featured in said magazine. One of "the brothers" working for "the corporation” and "the man" found our ad with Cthulhu Strikes Back. The “man,” with help from the “corporation,” began hassling SHADIS and slapped them with a Cease and Desist order, which our friends at SHADIS faxed to us. As we, The Darkest of the Hillside Thickets, sat around drinking brandy and lighting our $50 cigars with said Cease and Desist order, we dreamed of a lengthy court case that might go a little something like this:

"Your honour, I call... Han Solo to the stand!"

Yes, we could call the various characters of Star Wars to the stand as character witnesses, and the only words they would utter would be lines from the movies. As for the Cease and Desist order, all it stated was that SHADIS stop running the ad using the image of Cthulhu Strikes Back logo (which arguably resembles the Empire Strikes Back logo). They said nothing about the amazing Chris Woods painting where the band looks like various characters in the Millenium Falcon. They did not tell us to stop making the album (sampling laws allow us to sample a set time without retribution), nor do I think they have heard the album. They did want our address however. Still waiting to hear from "the man" and get our day in court. "The corporation’s" scare tactics won’t work on us. We didn’t make any money from the damn thing.


THE LOVECRAFT CORNER

THE LURKER IN THE LOBBY. The LURKER is a compilation of selected amateur films from the 1996 to recent (2004) H. P. Lovecraft Film Festivals. Films include: THE MUSIC OF ERICH ZANN by John Strysik, THE OUTSIDER by Aaron Vanek, THE NECRONOMICON by Aaron Vanek, MCLAREN by Ted Purvis, THE OUTSIDER by Andrew Hooks, FROM BEYOND by Ken Avenoso and Andrew Migliore, THE HOUND by Anthony Reed, CTHULHU WORE TENNIS SHOES by the UCLA Enigma Sci-Fi Club, WORSHIP ME LIKE A GOD by the Darkest of the Hillside Thickets and COLOUR ME GREEN by the Darkest of the Hillside Thickets. Cover art is by Roger Raupp (Roger has drawn many illustrations for the Magic and Mythos collectable card games).
For more questions or if your store wishes to carry this product please send email to: info@beyond-books.com

LOVECRAFT BEER. Now you can forget your place in the cruel Lovecraftian universe with Lovecraft beer. Let me know how unspeakable it tastes. Email info@lovecraft.com. (401)274-3234, FAX (401)751-6512, or write Festivals of America Corp. 18 Imperial Place, Suite 1F, Providence, R.I., 02903

DE WEB MYSTERIIS. Special mention, long due, goes to Laurent Alquier for his tidy Lovecraft website. Not only does he maintain the "Cthulhu Gallery" whereat one can find numerous graphic representations of our green & greasy god, but he is also working on an online "Necronomicon Project," which is an exhaustive construction of his own concept of what HPL's Necronomicon might look like, and I must say he's doing an admirable job. Really, the net is the only venue for such a project, due to its reliance on many other creative works, like those of Philippe Druillet, George Hay, Giger, and of course Lovecraft. Dive in: http://www.eerie.fr/~alquier/cthulhu.html